After several years of being left in the dark under a coffin in Christian Kirk's crypt, Kund Langkow's (Dunk Wokgnal) mysterious manuscript Night Over Waterhole finally sees the light of day.
The dubious work has mutated into a hellishly delightful release with an afterword by Satan himself (Denmark's first black metal frontman Ustumallagam), gothic handwriting, obscure images, satanic seals, and a biographical foreword by Rikke Mia Skovdal.
Let Dunk Wokgnal (1931-2004) lead you into temptation as he, with his curious voice, blends classic 70s new realism with occultism and true Satan worship. The unbelieving waterhole dwellers' gruesome deeds are concealed behind a jovial jargon and simple dialogues that seem both grotesque and satirical. Wokgnal's previously overlooked literary work conjures a bizarrely humorous piece that entertains and provokes – just as he himself preferred it.
In stock
★ ★ ★ ★ ★ ★
"It all exudes the same obsession-like love and attention to detail that Langkow put into the creation of his coins and letters."
– Bogmarkedet
NIGHT OVER WATERHOLE
After several years of being left in the dark under a coffin in Christian Kirk's crypt, Kund Langkow's (Dunk Wokgnal) mysterious manuscript Night Over Waterhole finally sees the light of day.
The dubious work has mutated into a hellishly delightful release with an afterword by Satan himself (Denmark's first black metal frontman Ustumallagam), gothic handwriting, obscure images, satanic seals, and a biographical foreword by Rikke Mia Skovdal.
Let Dunk Wokgnal (1931-2004) lead you into temptation as he, with his curious voice, blends classic 70s new realism with occultism and true Satan worship. The unbelieving waterhole dwellers' gruesome deeds are concealed behind a jovial jargon and simple dialogues that seem both grotesque and satirical. Wokgnal's previously overlooked literary work conjures a bizarrely humorous piece that entertains and provokes – just as he himself preferred it.
CURSED BE THE WATERHOLE
When the drunken Mikkel is summoned to the island of Vandholt to attend his father's funeral, he has no inkling of the mentally exhausting nightmare he is about to endure. Mikkel inherits his father's pleasure house, where well-paying tourists can satisfy even the most bizarre desires.
But behind the local community's jovial naivety and peculiar sexual escapades lie darker secrets. What occult deeds does the conspiratorial local community protect? Do the dead walk among the living on Vandholt, or is Mikkel on the verge of losing his mind?
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